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Textual Analysis of Opening  Sequence

 Angela Kibia

 

Memento

 

Throughout the opening sequence of the film we are exposed to the characteristics of a psychological thriller. The beginning of the film shows the protagonist holding a photograph of a dead man on the floor.  It goes back in time showing the protagonist taking a picture of the dead man. We then see the protagonist holding a gun and then shooting the man earlier seen in the photo. Still going back in time the protagonist wakes up not knowing where he is but hearing his own voice explaining to him where he is and how long he has been there. The film then jumps to a scene where the protagonist is with the man he later kills. They are taking about finding a man and the protagonist explains to the man that he has short term memory in which the man replies saying that the protagonist had already told him. The protagonist tells the man (who we now find out is a cop) to take him to a building because he found a photograph of it in his pocket. The audience can now tell that because the protagonist has short term memory he keeps photos of where he last was in finding the man who killed his wife.

I can tell this is a thriller because of the eerie music that opens the film; this creates a lot of tension. Tension is a common convention in thriller films as it makes the audience anticipate what is about to happen next. The music starts off quiet and slow and gradually builds up until it is at a point in which makes the viewer feel tense and wanting to watch more of the film. String instruments are often used in the music, this connotes peace and being calm even this contrasts how the audience feels as they don’t know what is happening. The opening scene goes back in time. This is a convention seen in thrillers and this creates suspense and mystery. The opening scene makes the viewers intrigued by how the man was killed and leaves suspense in the next scene as we try to figure out why. Many thriller films have mystery as it is another way to entice viewers and is psychological, causing the audience to think during the movie.

In the narrative there is a lot of tension as we know who killed who but we don’t know why. There is also uncertainty because we know that the protagonist has short term memory and we wonder how he will be able to catch the killer. In the first 5 minutes we are not fully introduced to the characters and so it leaves a lot of suspense about who they are. The opening of the movie is vague as seen when the protagonist has cut suggesting he is either weak or tough.

The colours in the first scene were dark and bleak, reflecting the eerie mood of the dead body on the ground and the confusion the man is waking up and also the audience. The colour then brightened during the day when they went in the car. This was to reflect when times were good and safe before the protagonist killed the cop. The opening titles were very simple but had mysterious non-diegetic music to draw the viewers in. The mood of the opening sequence was very interesting as the audience doesn’t know a lot of information about the shooting and this captivates the viewers into watching.

Zahra Lesforis

 

Seven

 

This thriller film is about two detectives who handle a murder case where the killer’s victims reflect the seven deadly sins: gluttony, greed, sloth, wrath, pride, lust and envy. Detective Somerset is played by Morgan Freeman and Detective Mills is played by Brad Pitt.

The first five minutes of the film show Detective Somerset getting ready for work at his home. The character is wearing a white shirt in the first scene. The colour white connotes good, illustrates to the audience that he is the protagonist.

The whole five minutes has low key lighting. This is one convention that indicates to the audience that this is a thriller film. The low key lighting portrays the idea that the Detective lives quite a dark and serious life. It could also reflect the personality of the character which shows that he is not a happy character and is very serious.

The next scene is of Detective Somerset at a murder scene in an apartment with another detective. The scene is quite graphic, with there being a shot of the dead body and blood all over the apartment. This murder of such a vicious nature is another convention. This also brings in the common theme of crime.

Detective Mills, who had recently been transferred, arrives at the murder scene and gets acquainted properly with Detective Somerset as they had only talked on the phone. Both characters costumes are long trench coats, which is the stereotypical clothing a detective wears, reinforcing the character’s jobs to the audience. However, Detective Mills is coat is black and Detective Somerset’s is of a lighter beige colour. The two different colours convey the Detective’s as individuals and highlights their different age. Detective Mills is young and energetic whereas Detective Somerset is wiser and more serious. This links in with another convention of thriller films which is strange relationships.

Once the character’s leave the apartment, they start to walk along a busy urban street, displaying the city setting. This is a common setting for thriller films, illustrating to the audience that these situations could very well be happening to others in their own towns and cities. It also makes the storyline more believable. In the same scene, it is raining, foreshadowing that something bad that could possibly be coming up in the film, implying a mysterious tone to the film.

The opening credits of Se7en is quick shots of someone’s hands doing various activities such as writing in a book and cutting up pictures of people, some appearing dead. This signifies to the audience that this could be the hands of the murderer. The use of quick shots is another convention of thriller films which builds the tension and suspense. There is several times when the backdrop turns red before quickly returning back to normal. The colour red symbolises blood and death. This links in with the mysterious murder theme.

The music in the opening credits starts off low and gets progressively louder. It gives off a disturbing and creepy tone, fitting in well with the shots. Within the music are harsh sounds that almost sound mechanical, conveying the idea that the murderer is like a robot/machine that has no feelings. These techniques create the feeling of anxiety and uncertainty which is the main effect of the thriller film genre.

Jordan Cassell

 

The Dark Knight

 

The first 50seconds of the opening sequence includes the credits displaying the companies involved in the production of the film, which has a very gloomy visual to it. The use of a gloomy and dark beginning not only signifies evil but also foreshadows future events to come within the film. The opening credits are accompanied by music being played at a low volume to help build tension for the first scene.

 

As the film transitions from the credits into the first scene there is a clear presence of two types of different non-diegetic sounds. One of the sounds is the acoustic track carrying on from the credits but at a louder volume so it’s more noticeable and effective towards the audience possibly signifying danger. The second non-diegetic sound is the use of a clock signifying a countdown. Also during the first scene there is a lack of dialogue from our possible antagonists therefore suggesting that the director wanted the audience to focus on the visuals and wanted the non-diegetic and diegetic sounds to be amplified.

 

During the first scene the director uses a variety of different omens to signify that danger or evil is close. One of the omens is the breaking of glass, this happens several times throughout the opening sequence which is most commonly associated with bad luck. The character that breaks the glass is later betrayed and killed. Later on in the scene the diegetic and non-diegetic sounds begin to become more aggressive and violent. Also the sound of the clock ticking begins to become more constant signifying our antagonist are running out of time or that something is coming to an end.

 

From the opening sequence we understand that this film is both an Action/ Crime through the use of guns, money and masks by our antagonist and a Thriller due to the use of diegetic and non-diegetic sounds to help build tension accompanied by omens and other techniques.

 

The opening sequence uses an establishing shot to display the location of the first scene. Within this establishing shot it clearly displays a large shadow casting over the building connoting that evil is overwhelming it and foreshadowing future events. I found the use of darkness and shadows during daylight, which connotes safety to be effective because it signifies that evil is still present even when you believe it to be safe. The contrast between daylight and darkness is emphasised and displayed several times throughout both the opening sequence and the entirety of the film, which is also signifying good versus bad.

 

Overall I believe that The Dark Knight meets the criteria of its genres as it successfully uses a variety of their codes and conventions to create effect.

Ethan Edwards

 

Final Destination 3

 

I watched the beginning scene of Final destination 3, where all of the characters are about to get onto the roller coaster which eventually breaks and all characters die. There are many conventions of thriller throughout this, which include; Omens, quick cuts and low key lighting.

 

The scene is set at night. This alone uses pathetic fallacy as the dark environment creates a lot more of a spooky place. There protagonist in this is a young girl who is at an amusement park with her friends. The girl is wearing a red jacket and red lip stick (none of the other characters are wearing this). This draws attention to her from the audience’s point of view because she is so bright in comparison to everyone else. Also from this colour it sets her up to look like a target for something bad to happen. Whilst they are waiting in the line, we the shot cuts to a pair of girls in short, skimpy clothing and a young creepy guy with a video camera who is trying to catch something sexy from them. Aside from everyone else, in there scene particularly there is a lot of swearing. This sort of provides a reason for something bad to happen to them. As from an audience’s point of view, these characters are not you’re favourite to see. As he records the two of them, we see a close up shot of the screen and is blood shot red. Although it is very un-noticeable, this foreshadows something bad happening to the two of them. As the line grows shorter and the young girl gets closer to the ride, that she is dreading the shot cuts to a giant statue of the devil standing above the ride, with the non-diegetic sound of loud growling, which is supposed to represent the anger of the devil. This giant omen, signifies something bad going to happen. As the girl steps into the roller-coaster line, the reflection of the light, causes her face to her red, representing she is stepping into her own hell. Moreover, as she turns the turnstile she reads a sign which says “once you go in there is no turning back… see you soon”. This omen clearly connotes that the girl will die. Even though the signs around her are always there because it is a rollercoaster, she sees them in a much more sinister and devilish light. As she turns the turn stile, the sound resembles a guillotine crashing down onto the hard wood. Furthermore, as she is walking through the line she see’s people screaming on the rollercoaster, which sounds like screams of joy but could be considered as screams; much like the screams of terror that will happen later on the film. The screams sound like screams of death, when in hell; the women sees the environment as hell because it is so scary. We constantly see the women have a moment where she realises, where she is and what she is doing. We see that the women has a sort of sixth sense, and allows her to notice danger before it happens. As she walks through the line, there are quick flashes of lights that resemble lighting striking, which is an omen of bad luck. As she gets closer to going on the ride, we see the entire environment is bright blood shot red. Red is the colour of fire and blood, so it is associated with energy, war, danger, strength, power, determination as well as passion, desire, and love. Red brings text and images to the foreground. It is used as an accent colour to stimulate people to make quick decisions. The shots of the skeletons, signifies the women’s death. The way they are all lined up above each other connote a dead and lifeless environment (hell). We then see a stretched shot of the number 6. The number 6, connotes the devil as the known phrase “666”.  As the dripping of the red fluid drops that looks very similar to blood and the man finally presses the bright green button in a large array of red buttons we see the roller coaster speed off.

 

This whole introduction, includes many different conventions of thrillers. The film is very entertaining to the audience from its immediate shot cut to its non-diegetic screams.  

Here is a video of the thriller Dorian Gray. It has institutional conventions of title sequences. For example the company momentum. Next thing that showed was the distributer 'Alliance', followed by the founding company 'UK|Council'. After the company titles eerie music starts to play and this is more to dowith the genre of the film. Te main actors name's are then shown. The transition from name to name dissolves relating back to the theme of the film which is time.

Here is the list of title credits in order in the film Day After Tomorrow:

1. 20th Century Fox- News corporation company 

2. A Centropolis Entertainment Lionsgate - Mark Gordon Company Production

3. A Roland Emmerich Film

4. Title of the film

5. Actors - Starting with the main characters

6. Casting By

7. Music By

8. Costume Designer

9. Visual Effects Supervisor

10. Co-producer

11. Film Editor 

12. Production Designer

13. Director of Photography

14. Executive Producer

15. Producer By 

16. Story By 

17. Screenplay By

18. Directed By 

We each watched the first five minutes of a thriller film and deconstructed the mise-en-scene, camera angles and editing to make sure when we produce our two minute opening, we are using the right techniques and that we are on task.

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